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Let's remember...

Before Michael Moore heard some boos at last night's Academy Awards, he received a standing ovation when his award was announced. How many standing ovations for award announcements were there last night? I'm asking because I don't know. Was his the only one? It might have been.

In addition to his movie, Moore also wrote the #2 best selling non-fiction book in America, which has been on the best seller list for just about a year.

So, when we read "But the crowd grew more hostile and began to jeer heavily as he continued," we should ask ourselves, was the crowd really hostile, or was it just a few loud people booing? From the crowd shots I saw on television during Moore's short speech, I didn't witness a hostile crowd. But "hostile" is money-making spin for the news media... they get a juicy story when there really might not be one.

If you want to hear Moore's take on the reaction, go here and click under the link for DOCUMENTARY FEATURE.

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Comments (4)

Richard:

Partha, I would like to say that I am surprised that you are defending Michael Moore, but unfortunately, defending the indefensible, is something I have come to expect from you. I don't give a hoot what Michael Moore thinks of the reaction of the audience. I don't hoot what the Hollywood crowd thinks of Michael Moore. What bothers me is the fact that Michael Moore is a bombastic jackass without a brain in his head. Like a little child he couldn't keep his mouth shut. No, he had to show what a fool he is by making asinine comments about the war and the President. He thought that by acting like a smart aleck he was being so cleaver and he would get a standing ovation. After all, he was preaching to the choir, wasn't he? However, even with a Hollywood crowd as his audience, he managed to cross the line of good taste.

Poop:

The crowd shots, as I recall, were the audience on the floor - the "Hollywood ultra-elite," who of course are overwhelmingly liberal. The boos and jeers, I suspect, came from the balconies, which housed people a small step closer to mainstream opinion.

Gary Collard:

And of course the funniest thing is that he won the Documentary Award for what is soem combination of fiction and comedy. A documentary is supposed to be a filmmaker observing events with the camera, not staging scenes and then filming people's reaction to the setup. If "Bowling for Columbine" was a documentary, so was "Jackass: The Movie." Even looking past Moore's persistent lying in his works, those who make actual documentaries must be horrified by this, which is a bit like "Everybody Loves Raymond" winning Best Picture.

Poop:

Yes, "Bowling" is fiction compared to the real world, but we live in fictional times, so it's actually true! In fact, all the other so-called documentaries should have been disqualified as fiction, since they accurately portrayed our fictional world.

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